Program

Artist: Ihosvanny

Guided Tour by the gallery to the exhibition AIR IHOSVA by the Angolan artist Ihosvanny

**Limited capacity. Registration required: lisboa@movart.co.ao

Artist: Rodrigo Hernández

For Lisbon Art Weekend 2020, Madragoa will present a solo exhibition by the Mexican artist Rodrigo Hernández, showing his new series
of artworks.

4pm – Luis Lázaro Matos’ instagram live tour @galeriamadragoa

5pm – Rodrigo Hernández’ instagram live tour @galeriamadragoa

** Gallery will be closed on Saturday 14th and Sunday 15th

Artists: Amy Gillian Wilson, Anabela Maravilhas,  André Costa, Bruno José Silva,  Catarina Real, Clara Imbert,  David Leal,   Fernando Moletta,  Francisco Barahona Franco,  Francisco Correia,  Francisco Pinto,   Frederico Brízida,  Francisco Trêpa,  Gabriel Ribeiro,  Hugo Cantegrel, India Mello, Inês Anselmo, Joana Siquenique,  João Nuno,  João Rosa Narciso,  José Taborda,  Lébora Devy, Leonardo Quintaneiro,  Lucrezia de Fazio,  Luísa Barros Amaral, Manuel Pedro Fonseca,  Mariana Mourato, Martim Dinis,  Max Provenzano,  Nina Fraser,  Pedro Liñares, Raquel Nobre G.,  Rodrigo Rosa,   Rui Ferreira,  Sara Caballero Zavala,  Sofia Mascate,  Susana Rocha,  Vera Matias Magalhães, Zé Ardisson

Exhibition: I WILL TAKE THE RISK

**Visiting hours:

14 November Saturday – 9.30am to 12.30pm

15 November Sunday : 9.30am to 12.30pm

Artist: Rosanna Bach

The Space Between Us

**Visiting hours:

14 November Saturday – 11am to 1pm

Artist: Daniel V. Melim

For Lisbon Art Weekend 2020, MONITOR Lisbon will present sete-estrelo, a solo exhibition by Portuguese artist Daniel V. Melim. For his first exhibition at the gallery,  the artist will present his new oil paintings on wood. The images present in Daniel V. Melim’s paintings are images to serve, images of construction, of union with the daily life and with the land, of the best resolved break. Images of blessing: because there is a powerful and mysterious intelligence from above and from below, intelligence that no astrology or ecology can exhaust. It is difficult to say what is the size of what, what guides or conditions each being, what is a metaphor of what. But there are effective and unspeakable miracles in this world: a sincere smile, a small ancient sculpture inherited from a grandfather, a plant capable of guiding the heart to its own center through a whistled whisper.

** Gallery will be closed on Saturday 14th and Sunday 15th

Artists: António Bolota

António Bolota started his artistic career in the mid-90s, carrying his know-how in the field of Engineering into the artistic universe. The artist convokes this particular set of theoretical knowledge as he creates sculptures that challenge the spaces where they are built or fuse with their architecture. He completed the Advanced Course in Ar.Co – Center for Art and Visual Communication in 2008. Lives and works in Lisbon.

** Gallery will be closed on Saturday 14th and Sunday 15th

Artist: Mário Belém and Ana+Betânia

Mário Belém – Solo Show That Awkward Moment Between Birth and Death — Underdogs Gallery

Ana + Betânia – Solo Show Wild Fire — Underdogs Gallery Capsule

** Gallery will be closed on Saturday 14th and Sunday 15th

Artist: Horácio Frutuoso

**Limited capacity. Registration required: info@balcony.pt

** Gallery will be closed on Saturday 14th and Sunday 15th

Artist: Ângela Ferreira

Exhibition: POWER STRUCTURES Crouch-touch-pause-engage

*Limited capacity. Reservation required: info@cristinaguerra.com

** Gallery will be closed on Saturday 14th and Sunday 15th

Artist: Adrien Missika

*Limited capacity. Reservation required: galeria@franciscofino.com

** Gallery will be closed on Saturday 14th and Sunday 15th

The title of the exhibition by Adrien Missika at Galeria Francisco Fino has its roots in the French figurative expression “nager entre deux eaux” (engl. to swim between two waters), meaning to hesitate, to manage two divergent conditions.

However, Entre Deux Eaux hints at the in situ nature of the works developed for the show, in that it refers to the context of Lisbon’s particular geography. Washing the shores of the city with its fresh water, the Tagus river runs through the capital of Portugal, ending at its delta into the salt waters of the Atlantic Ocean, who itself inflows the river according to its tides.

Adrien Missika (b.1981, Paris) studied at Ecole Cantonale d’art de Lausanne (Ecal). He was a co-founder of Galerie 1M3, Lausanne, (2006-2014), founder and art director of Belo Campo Lisbon, (2017- present).

He currently lives in Berlin.

Belo Campo guided tour 16h

Artist: Hannah Rowan

*Limited capacity. Reservation required: galeria@franciscofino.com

Belo Campo is an epiphyte space organized by Adrien Missika, hosted by Galeria Francisco Fino and located in the gallery’s basement. Triple Point is an exhibition curated by Alice Bonnot presenting new sound and sculptural installation works by Hannah Rowan, staged as ephemeral natural systems in a continued state of becoming. Conceived as a sensory and poetic groundwater dependent ecosystem, the exhibition explores notions of fluidity, transformation and interconnectivity to speak of the existential threat and anxiety surrounding the climate crisis in connection to other cosmological forces such as technology and data overload.

Artist: Carolina Serrano

**Limited capacity. Registration required:  miguel@umalulikgallery.com

**Visiting hours:

13 November Friday – 2pm to 8pm

14 November Saturday – 10 am to 1pm

“Confronted with this exhibition, an observer might find it difficult to escape a religious resonance — especially one whose cultural experience includes the participation in certain types of religious ceremonies. On the other hand, for someone oblivious of those experiences, the show might offer an equally satisfactory experience, an aesthetical and formal reading of the works, framed by the tradition of modern sculpture, and particularly of Post-minimalism and Process art”.

In Entre o polegar e o indicador ( Between the thumb and the index finger), by Alexandre Melo, September 2020, UMA LULIK__ Exhibition curatorial text.

Artist: Kimiyo Mishima

SOKYO Lisbon will be hosting Kimiyo Mishima solo show. Born in 1932 in Osaka, her work brings a humorous comment on the growing consumerism of our times. Using such a delicate material as ceramic with delicate silkscreen applied she creates trash pieces such as cans bottles and newspapers. Her work is present in collections all over the world such as USA,  UK, France, Italy, China.

**Limited capacity. Registration required: art@sokyolisbon.com

** Gallery will be closed on Sunday, 15 November.

Artist: António Júlio Duarte

“Eclipse”

**Gallery will be open on Saturday from 11am to 1pm

Artist: Gustavo Sumpta

Artist: Renzo Marasca and Paulo Brighenti

Guided tour with both artists Renzo Marasca and Paulo Brighenti to their exhibitions – respectively”autoritratto” (RM) and “Submundo” (PB)

*Limited capacity. Reservation required: galeria@belogalsterer.com

Artists: Andrea Huber Gutierrez, Bárbara Bulhão, Beatriz Coelho, Caetano de Oliveira, Catarina Moura, Daniel Moares, Diogo Almeida Martins, Fernando Moletta, Francisca Aires Mateus, Francisco Trêpa, Gabriel Ribeiro, Monica Mindelis, Nuno Henrique, Pedro do Vale, Rui Dias Monteiro, Susana Rocha, Yuli Anastassakis

**Limited capacity. Registration required: hello@duplexair.com

**Visits by appointment only

Artist: Gonçalo Pena and Fernando Brito

**Limited capacity. Registration required: zdbexpo@gmail.com

** Gallery will be closed on Saturday 14th and Sunday 15th

Metafísica
Paintings by Gonçalo Pena

The set of works present at Galeria Zé dos Bois, all very recent, once again demonstrate the distant commentary work that Gonçalo Pena has been materializing about style in painting in its relationship with the concept in a posture that owes so much to that of the producer/doer as to the historian or collector. This exhibition is therefore part of what has been worked on as a reflection on the general production of painting as a system of meaning or “language” in its relationship with other systems. These are those of the historicization of the poetic itself, of an economy present in the imaginary, of the system of visual arts as a whole and finally of what we could call research (wanting to be combat) on the grammar of the general production of images-concept, the factory of social systems that self-produce despite and in permanent tension with political fiction.

Budonga
Drawings by Fernando Brito

To what do we call «history» and to what do we call «civilization» (and who calls it?)? How does the living make the dead (what kind of “other” is the dead?)? What notion does the appropriator have of what he appropriates (what does it show? How and for what purposes does it show?)?

At the invitation of ZDB, Brito exhibits a set of illustrations from the hypothetical museum’s catalog of an ancient civilization invented from the novel (called «Budonga») which, during the ’80s, his colleague Proença extrapolated from a silly anecdote.

The name «Budonga» is used in an anecdote that speaks of humiliation and/or death for ritual anal violation.
It arrives at the homeostetic dictionary in the novel «Budonga» (1985), in which Proença narrates the escape of a bored white man to the heart of sub-Saharan Africa.
In Brito, soon after, it names a city prior to the Mesopotamian civilization, from the catalog whose excavation (pompous document of colonialist archeology) here shows illustrations of architecture, bas-relief, equipment and statuary.
In homeostetic everyday, «Budonga» (which gives the term «Budongguian»), becomes an immoderate use «cliché» whose meaning does not occur to anyone wanting to fix it.